The relationship between landscape architecture and the arts is often examined through visual representation like drawings and images, but it’s limited in depicting the dynamic nature of outdoor spaces. Unlike static visual arts, music has a closer relationship with landscape architecture as both involve the composition of elements to shape user experiences over time and space. Investigating the historicalinterplay between music theory and site design concepts serves to deepen our comprehension of how form and space are implemented in landscape design to influence user experience.
The main objectives to be explored in this thesis is to (1) identify common principles between music theory and landscape design,
(2) investigate historical connections, and (3) explore emotional and experiential dimensions of site design through the use of musical concepts and terminologies.
This comprehensive approach, based in the language of music, serves to enhance our ability to articulate and refine the sensory and emotional dimensions rooted in the creation and perception of designed landscapes. The overarching goal is to contribute to a more innovative approach that spans across the realms of design and artistic expression within the field of landscape architecture. Essentially, this thesis aims to explore the interwoven threads of musical theory and spatial design, enriching our understanding of how the concept of space and form, whether literal or metaphorical, shapes both emotional and physical experiences.
The main objectives to be explored in this thesis is to (1) identify common principles between music theory and landscape design,
(2) investigate historical connections, and (3) explore emotional and experiential dimensions of site design through the use of musical concepts and terminologies.
This comprehensive approach, based in the language of music, serves to enhance our ability to articulate and refine the sensory and emotional dimensions rooted in the creation and perception of designed landscapes. The overarching goal is to contribute to a more innovative approach that spans across the realms of design and artistic expression within the field of landscape architecture. Essentially, this thesis aims to explore the interwoven threads of musical theory and spatial design, enriching our understanding of how the concept of space and form, whether literal or metaphorical, shapes both emotional and physical experiences.