This study evaluates the compositional style of Richard Strauss’s Violin Sonata in E flatmajor based on existing scholarly writings and my own analysis, with the purpose
of offering informed performance suggestions. Discussions of stylistic interpretation and
technical elements are included in each movement of the work. In addition, historical
background of the composer and the sonata is provided. The study discusses the
development of Strauss’ early chamber music. Performance suggestions are provided on
the aspects of bowing and fingerings, the rhythm difficulties, intonation preparation, the
balance of tone colors, and the musical interpretation. Besides, comparisons with several of
Strauss’ orchestral works will be made in discussing of the orchestral effect that applied in
this sonata.
