A theomusicological cartography of the interaction between what is said and what is silenced, between what is seen and unseen, between the here-before and the there-after in the soundscape of the Southeastern United States. Pairing soundscape studies with the theoretical foundation of signification from Prof. Charles H. Long, this cultural mapping of meaning-making continues to build upon an embodied un-suturing of systems of sociocultural oppression, in order to sign and situate a narrative that echoes the patterns of the Athens, GA, and Southern United States soundscapes, and resonates our Song to the world.