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Abstract
This thesis investigated the Ghanaian news media's portrayal of Nana Konadu Agyeman-Rawlings during the 2016 and 2020 elections, employing Feminist Standpoint Theory and Framing Theory. Findings reveal a dominant "relational identity" frame, defining her primarily by her familial ties, thereby diminishing her political agency. Other frames, including "Exceptional Woman" and "Incompetence," further illustrate gendered biases. Despite these limitations, the study identifies significant "feminist themes" such as "Political Agency" and "Challenging Dominant Structures" inherent in her actions. The pervasive "Male Dominance" in authorship and sources, alongside the reinforcement of "Gender Roles," indicates a deeply patriarchal media ideology. This research highlights how Ghanaian journalism constructs reality, impacting public perception and women's political participation. It advocates for critical media self-reflection and the integration of feminist perspectives to foster more equitable representation and democratic inclusivity.