I intend to provide a fresh ideological base for radical American artistic development while detangling the conditioned subservience that pervades the left-leaning populace. This writing historicizes creatives that successfully upended postmodern insular qualities of high art in order to critique the cultural mechanisms at play around them, and as an American draftsman my work takes up similar objectives. Using books, clay, and the electrical circuit, I present obscene containers of information designed to induce political and social fervor, in the hopes that the zeitgeist will find future sanctuary within the disposition of a new resistance.