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Abstract

In recent years, the Sonata for Alto Saxophone and Piano by David Maslanka has come to the forefront of saxophone literature, with many university professors and graduate students aspiring to perform this extremely demanding work. His writing encompasses a range of traditional and modern elements. The traditional elements involved include the use of classical forms, a simple harmonic language, and the lyrical, vocal qualities of the saxophone. The contemporary elements include the use of extended techniques such as multiphonics, slap tongue, manipulation of pitch, extreme dynamic ranges, and the multitude of notes in the altissimo range. Therefore, a theoretical understanding of the musical roots of this composition, as well as a practical guide to approaching the performance techniques utilized, will be a valuable aid and resource for saxophonists wishing to approach this composition.

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