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Abstract

This is the first issue of the seventh volume of _Borrowers and Lenders_. Holland, Peter_Shakespeare, Humanity Indicators, and the Seven Deadly Sins_; Walsh, Brian_Shakespeare in Stained Glass: The Shakespeare Memorials of Southwark Cathedral and "Local" Bardolatry_; Trillini, Regula Hohl_Hamlet's Soliloquy: An Eighteenth-Century Genre_; Rampaul, Giselle_Playing the Fool with Shakespeare: Festivity, Falsity, and Feste in Twelfth Night and King of the Masquerade_; Sanders, Julie_Shakespeare and Contemporary Fiction: Theorizing Foundling and Lyric Plots, by Barbara L. Estrin_; Bolding, Lisa_The Reel Shakespeare: Alternative Cinema and Theory, edited by Lisa S. Starks and Courtney Lehmann_.

Borrowers and Lenders: The Journal of Shakespeare and Appropriation is a peer-reviewed, online, born-digital, multimedia journal that welcomes original scholarship engaging with the afterlives of Shakespearean texts and their literary, filmic, multimedia, and critical histories. It encourages contributors to use the online format to its best advantage, in particular, by imagining how to enhance or illustrate their essays with multimedia (screen captures, sound clips, images, and so on). B&L won the CELJ's "Best New Journal" Award in 2007. B&L is fully indexed in the MLA Bibliography and the World Shakespeare Bibliography. The journal was founded in 2005 by Christy Desmet and Sujata Iyengar of the English Department at the University of Georgia, Athens, GA 30602, USA.

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