Files
Abstract
The representation of sexual satisfaction in the extant corpus of Roman elegy is unique to Amores 1.5. Placing the poem in its proper context with the other programmatic poems of the Amores, and then comparing it with the didactic elegies, Ars Amatoria and the Remedia Amoris, this essay shows how, in Amores 1.5, Ovid defies then redefines the limitations of the elegiac genre around the image of the pudendum, and thereby requires and creates a reader capable of reading elegy conscious of its generic and textual boundaries.